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From: Web of Stories <I
To: leevacation@gmail.com>
Subject: New to Web of Stories! Film editor Walter Murch talks about his life and work
Date: Wed, 01 Mar 2017 13:11:40 +0000
New to Web of Stories!
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Web of Stories is delighted to announce the availability of the first
part of a unique series of videos in which film editor Walter Murch
talks about his life and career. The recordings, made in April 2016,
are
now
free
to
view
on
the
Web of Stories
website
(www.webofstories.com). The second part of the series will be
available soon.
Walter Scott Murch is widely recognised as one of the leading
authorities in the field of film editing, as well as one of the few
film editors equally active in both picture and sound.
Born in 1943 in New York City, Murch graduated from the University of
Southern California's School of Cinema-Television. His career stretches back to
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1969 and includes work on Apocalypse Now, The Godfather I, II, and Ill,
American Graffiti, The Conversation, and The English Patient. He has been
referred to as "the most respected film editor and sound designer in modern
cinema."
In a career that spans over 40 years, Murch is perhaps best known for his
collaborations with Francis Ford Coppola, beginning in 1969 with The Rain
People. After working with George Lucas on THX 1138 (1971), which he co-
wrote, and American Graffiti (1973), Murch returned to Coppola in 1974 for The
Conversation, resulting in his first Academy Award nomination. Murch's
pioneering achievements were acknowledged by Coppola in his follow-up film,
the 1979 Palme d'Or winner Apocalypse Now, for which Murch was granted, in
what is seen as a film-history first, the screen credit "Sound Designer."
Murch has been nominated for nine Academy Awards and has won three, for
Best Sound on Apocalypse Now (for which he and his collaborators devised the
now-standard 5.1 sound format), and achieving an unprecedented double when
he won both Best Film Editing and Best Sound for his work on The English
Patient. Murch's contributions to film reconstruction include 2001's Apocalypse
Now: Redux and the 1998 re-edit of Orson Welles's Touch of Evil. He is also
the director and co-writer of Return to Oz (1985).
In 1995, Murch published a book on film editing, In the Blink of an Eye: A
Perspective on Film Editing, in which he urges editors to prioritise emotion.
In the recordings made for Web of Stories, he speaks about his childhood, the
challenges inherent in the life of a film editor, working with directors Francis
Ford Coppola, George Lucas, Anthony Minghella, Fred Zinnemann and Kathryn
Bigelow, as well as his own troubled directorial debut — Return to Oz.
Find Out More
ABOUT WEB OF STORIES
Web of Stories began as an archive of life stories told by some of the great scientists
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of our time. As the number of stories grew. it became obvious that some were on related topics and a web
was slowly being created of connected stories. After a while, we also invited famous people outside the
field of science to tell their life stories.
Our aim has been to provide an archive of stories from people who have influenced our world. Imagine, in
a hundred years' time. future generations being able to watch people like Stan Lee. Doris Lessing or
James Watson telling stories about their lives and their achievements.
Copyright
2017 Web of Stories, Al! rights reserved.
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| Filename | EFTA00716502.pdf |
| File Size | 177.0 KB |
| OCR Confidence | 85.0% |
| Has Readable Text | Yes |
| Text Length | 4,322 characters |
| Indexed | 2026-02-12T13:50:32.444756 |