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Peggy Siegal (not Guggenheim) Does Venice Diary
This was the summer I fled to Europe five times starting with the Cannes and Taormina
Film Festivals. I made my maiden voyage to the Paris couture shows, Valentino's
Chateau de Wideville and Les Rencontres D'Arles Photography 2010. I partied in St.
Tropez and Patmos and became a "yacht slut" amusing the rich on everything from 160'
to 350' with exotic names like Audacia, Siren, Lady Joy, Luna and Baracuda.
Wednesday, September 1, 2010
Nautical travel is reduced to a water taxi which takes me to the island of Giudecca in
glorious Venice for the 67th Biennale Cinema 2010.
I am greeted at the dock of the exclusive Cipriani Hotel with a flurry of Italian
compliments and am compared to Peggy Guggenheim (in name only), the fabulously
wealthy American avant-garde art collector. I mention I was at her Palazzo Venier dei
Leoni two years ago to celebrate "Valentino: The Last Emperor."
In the lobby, Franca Sozzani, the powerful editor of Italian Vogue regales me with tales
of her party the night before for jury president Quentin Tarantino (who awards the
Golden Lion) at Countess Bianca Arrivabene Valenti Gonzaga's XIV Century Palazzo
Papadopoli on the Grand Canal. Blue-blooded beauties Ortensia Visconti and Bianca
Brandolini d'Adda attended along with Jessica Alba.
The porter shows me to a room in Siberia, which I call "the room test for stupid single
women." I request something within walking distance to the front desk. In all the
excitement—jetlag, spa visit, room upgrade—I have a premonition something is going to
go wrong.
Greek film director Angela Ismailos and I race to the premiere of Fox Searchlight's sexy
ballet thriller "Black Swan" on the Lido. In front of the Palazzo del Cinema's Sala
Grande, director Darren Aronofsky (a previous Golden Lion winner), Natalie Portman
and French actor Vincent Cassel face an army of paparazzi and screaming fans.
At the crowded after-party at the Hotel Excelsior, Darren takes me into a hidden private
dining room for the filmmakers where Natalie Portman, with her choreographer
boyfriend Benjamin Millepied, tells me she did most of the arduous dancing herself in
the film.
I return to my room at Cipriani's and discover my Verdura white topaz ring that looks
like a million bucks and was a gift from Jets owner Woody Johnson (for organizing his
60th birthday party) has mysteriously vanished. A sentimental sadness prevails. The
hotel staff comes running and decides to investigate the next day.
Thursday, Sept. 2, 2010
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Being a loyal fan and friend of Julian Schnabel's, I enthusiastically attend his press
conference for The Weinstein Company's "Miral," a drama based on an
autobiographical novel by Palestinian journalist Rula Jebreal, who is Julian's love
interest. The film explores Rula's and three other Arab-Israeli women's lives from the
1948 creation of the Jewish state to the 1993 Oslo accords that briefly raised hopes of
peace in the Middle East.
Rula, beautifully dressed in a white fitted sheath, speaks in flawless Italian and steals
the show. Frieda Pinta, who portrays Rula, is sick and has stayed in India. Julian and
his producer Jon Kilik wear headsets because the entire press conference is in Italian.
Back at Cipriani's, Leelee Sobieski is poolside with her husband, men's fashion
designer, Adam Kimmel. He is the father of their nine-month-old daughte
who attended her parents wedding in Venice three days prior.
Supermodel Naomi Campbell, wearing Azzedine Alaia and a huge emerald ring from
her Russian billionaire boyfriend Vladimir Doronin, creates a flash-bulb frenzy on
"Miral's" red carpet. Julian has brought four of his five children:
, who is in the
movie,
and the 17-year-old twin boys,
Olivier Sarkozy pretends not
to be with
Harvey Weinstein has just flown in from wife Georgina Chapman's
hospital bedside in New York City and proudly shows a photo on his i-phone of two-day-
old daughter
Luca Dini, editor-in- chief of Italian Vanity Fair, gives a glamorous seated dinner in
honor of Julian and Rula at the Gothic Palazzo Pisani-Moretta on the Grand Canal. The
building dates back to 1470, but was restored during the 18th century. It's the only
palazzo with chandeliers still illuminated by hundreds of tall white candles.
"W" Editor Stefano Tonchi with Shala Monroque, Stephen Dorff, John Turturro and
Franca Sozzani in Alberta Ferretti all celebrate with 100 noble Venetians. Amy Sacco
later leads the gang to her pop-up Bungalow 8 across the Canal.
I sit with Naomi and Vladimir and tell them I crashed Naomi's 40th birthday party in
Cannes in May. Vlad is more shocked than amused I got past his expensive extensive
security. Naomi thinks it is just hilarious and says I should have called her, she would
have invited me. I tell her I didn't know her or her number. We become fast friends
talking about Liya Kebede's film "Desert Flower" and the Somalian model Waris Dirie
who wrote the book the film is based on. Naomi started modeling at 15 with Waris and
says she was one of the most beautiful women she ever worked with.
My Verdura white topaz ring has still not been found by Cipriani's detectives, and the
manager offers to take me to the chief of police the next day.
Friday, September 3, 2010
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Sofia Coppola is the princess of Italy. At her morning press conference she says the
inspiration for her new Focus Features film, "Somewhere," came from growing up with
her father, Francis Ford Coppola, because they also lived in hotels. The press hangs on
her every syllable.
Her film is about a movie star who sees the emptiness of his existence through the eyes
of his 11-year-old daughter. It was filmed at the Chateau Marmont, the Sunset
Boulevard icon of Hollywood excess.
It is the third day of the two-week festival. Sofia's film is already the front runner for the
Golden Lion, which it eventually wins.
I spend two hours at the Venice police station with my translator/hotel manager,
detailing the saga of the missing ring which was originally designed by Sicilian Duke
Fulco di Verdura for Rita Hayworth. Was it the porter, the ladies in the spa or the
chambermaids? The police give me a three-page, single-spaced report in Italian for the
insurance I later find out I don't have.
After Sofia's premiere, Peter Brant, Tony Shafrazi, diamond dealer Laurence Graff,
Naomi and Vladimir and the Russian editor of Vogue Ailona Doletskaya stop at
Cipriani's for a private dinner. I sit next to my new best friend Naomi.
We head to the Louis Vuitton party hosted by Antoine Arnault for Sofia at the
Renaissance 16th-Century Palazzo Contarini Polignac on the Grand Canal. Sofia,
French rocker Thomas Mars, the father of her two baby daughters, brother Roman
Coppola, and cast members Stephen Dorff and Elle Fanning pose for photos. Willem
Dafoe and young European actresses Clemence Poesy, Elisa Sednaoui, Lea Seydoux
and Zoe Cassavetes are the evening's eye candy.
Saturday, September 4, 2010
I take Peter Brant to Roberta and Luigino Rossi's Palazzo Curti-Valmarana to see their
collection of golden shoes drawn by Andy Warhol. Coincidentally Luigino owns a high-
end shoe factory and shoe museum near Venice. Peter has one of the world's most
extensive collections of Warhols.
The Venetian Heritage hosts a ceremony at the San Salvador Church to celebrate the
restoration of a gold altar piece from the 14° century. Sofia Coppola shows up for a
photo-op. Top art restorer Toto Bergamo Rossi hosts a picnic lunch in the gardens of
his 17° century Palazzo Gradenigo for Antoine Arnault and his sister Delphine Arnault,
Princess Firyal of Jordan, Countess Marina Cicogna, Earl Rufus Albemarle and his wife
Sally, Lawrence Lovett and others.
That evening Bulgari and W Magazine host a supper by the pool at Cipriani's. Stefano
Tonchi and Nicola and Beatrice Bulgari greet Sir David Tang, Leelee Sobieski and
Adam Kimmel, Franca Sozzani, Shala Monroque, Paz Vega and Sofia Coppola.
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I go to the Lido for a midnight screening of John Turturro's enchanting documentary
"Passione," billed as a musical adventure through Naples. The film combines archival
footage with musical numbers and explores his family's cultural heritage.
Sunday, September 5"', 2010
Another day, another palazzo. American
(frotar i=.!)
and he
invite me to thei
, purchased
years ago with many of the original family's
heirlooms. From the balcony, we watch the annual
The spectacle was originally conceived 700 years ago as a competition between
the gondoliers.
While I am mesmerized by the procession of rowers wearing Renaissance costumes in
ancient, brightly colored boats, two American films are exploding out of the Telluride
Film Festival: The Weinstein Company/Tom Hooper's "The King's Speech" and Fox
Searchlight/Danny Boyle's "127 Hours."
I'm on my way to the Toronto and New York Film Festivals to see Columbia
Pictures/David Fincher's "The Social Network" and every other Oscar contender. Let the
race begin.
And if you're in Venice and you see a porter wearing a huge white topaz ring on his
pinky, tell him Woody Johnson is looking for him...but even worse, so is Peggy Siegal.
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| Filename | EFTA00730615.pdf |
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| Indexed | 2026-02-12T13:53:21.962847 |