EFTA02359226.pdf

From: Sent: Monday, July 11, 2016 6:20 PM To: Jeffrey E. Subject: Re: by the way, this stuff is all over the map, and I c=n only do small amounts at a time .... in a way, what he is basically sayi=g is that it is ALL just thoughts and stories...ok, so what? But I'm i=terested in how a different starting point might lead to unexpected answer=... On =on, Jul 11, 2016 at 2:17 PM wrote: On Mon, Jul 11, 2016 at 2:16 PM, je=frey E. <jeevacation@gmail.com <mailto:jeevacation@gmail.com> wrote: need to stay within one composer. =C240 it is his neuron firings dont mix. On Mon= Jul 11, 2016 at 2:06 PM, wrote: WOW-=just did- works AMAZING with Beethoven, and pretty well with Mozart and Ba=h Orchestral, thought mixing composers had mixed results... I suspect that=the timing and beat is one of the most important layers tying things toget=er... will listen more and try to figure this out...THANK YOU this is a ne= experience, not bad! On Sun, Jul 10, 2016 at 8:36 PM, jeffrey E. <jeevacat=on@gmail.com <mailto:jeevacation@gmail.com> wrote: did you try? On Sun, Jul 10, 2016 at 1:26 PM, <mailto > wrote: I want to try!!! I was thinking Mozart symphonies nos =8, 40, 41, though the first movements of 38 and 40 might not work in tande=- or do they? I want to try!!! On ferry from Nantucket right now in NYC to=orrow... On Sun, Jul 10, 20=6 at 8:45 AM jeffrey E. <jeevacation@gmail.com <mailtojeevacation@gmail.com» wrote: EFTA_R1_01347339 EFTA02359226 today I conducted an experiment e=couraged by wholly justified aggressive and detailed dire=tives to foc=sed on layers being developed in the brain . the timing for the deve=opment of each layer being different per species . = postulate that music might be a frosted window into that structure.=C2+ symphonies begin with their first " layer &qu=t; a theme. in fact , there might be more than one them= in the first layer, the second part of symphonic form is t=e complex development stage. where those themes 4>=A0 are inverted, deconstructed , reconstructed etc ,and the develop=ent stage takes the most time . in the conclusion =f the symphonic form the recapitulation of all that has come b=fore it forms a " phenenoma of the piece &qu=t; a whole ,made up of its smaller concepts . As o=posed to listening to music to record which neuron is firing, as mos= musciolgists attempt . I propose that the music=may be the audible result of those neurons firing, made possible by = select few who would attempt to notate those neuronal firings= Beethoven for example. The experime=t . I mashed all of the four symphonies together = playing recordings of the 3rd 5th 6th =7th all overlayed on each other, playing at the same time.Q=A0 - the way a brain might develop. I expected an ordered nois= but to the surprising contrary , IT WAS AM=ZING. . you can hear new "concepts " for=ing, it wonder whe=her in the mind of a blind child , the " music" would be c=eated even without the visual referencial. but cr=ated none the less. later when the visual can be t=ed to concepts , the anatomy may be hijacked to produce sounds . tha= somehow relate to the concepts. . I tried =o mix music from different cultures- it didn't work. =African does not work with western europe,- chine=e works with neither of the other two. but within the sameQ=A0 cultural music the brain of the local species ) the=mash ups are beautiful. I would note that computers engage in "parallel proces=ing" only in order to take a hard problem and break it in=o its component parts, working on each component separately, .=A0 here each problem Interacts and the their resolutions inter=ct in remarkable ways. plea=e note The information contained in this communication is confi=ential, may be attorney-client privileged, may constitute inside inform=tion, and is intended only for the use of the addressee. It is the prop=rty of JEE Unauthorized use, disclosure or copying of t=is communication or any part thereof is strictly prohibited and may =e unlawful. If you have received this communication in error, please no=ify us immediately by return e-mail or by e-mail to jeevacation@gmail.com<=a>, and destroy this communication and all copies thereof, including=all attachments. copyright -all rights reserved <mailto:j=evacation@gmail.com> 2 EFTA_R1_01347340 EFTA02359227 =C24, please note The information co=tained in this communication is confidential, may be attorney-client pr=vileged, may constitute inside information, and is intended only for JEE Unauthorized use= disclosure or copying of this communication or any part thereof is str=ctly prohibited and may be unlawful. If you have received this commu=ication in error, please notify us immediately by return e-mail or by e=mail to jeevaca=ion@gmail.com <mailto:jeevacation@gmail.com> , and destroy this communication and all copies thereo=, including all attachments. copyright -all rights reserved <1=iv> 4,>=A0 please note The information contained in this communication isat>confidential, may be attorney-client privileged, may constitute insid= information, and is intended only for the use of the addressee. It is =he property of JEE Unauthorized use, disclosure or copying of thiscommunication or any part thereof is strictly prohibited and may be un=awful. If you have received this communication in error, please notify =s immediately by return e-mail or by e-mail to jeevacation@gmail.com <mailto:jeevac=tion@gmail.com> , and destro= this communication and all copies thereof, including all attachments. =opyright -all rights reserved 3 EFTA_R1_01347341 EFTA02359228