EFTA02458389.pdf

From: jeffrey E. <jeevacation@gmail.com> Sent: Monday, July 11, 2016 6:17 PM To: Barnaby Marsh Subject: Re: need to stay within one composer. it is his ne=ron firings dont mix. On Mon, Jul 11, 2016 at 2:06 PM, Ba=naby Marsh target=> wrote: WOW- just did- works AMAZING with=Beethoven, and pretty well with Mozart and Bach Orchestral, thought mixing=composers had mixed results... I suspect that the timing and beat is one o= the most important layers tying things together... will listen more and t=y to figure this out...THANK YOU this is a new experience, not bad! On Sun, Jul 10= 2016 at 8:36 PM, jeffrey E. <jeevacation@gmail.com <mailto:jeeva=ation@gmail.com» wr=te: did you try? <=iv class="gmail_extra"> On Sun Jul =0 2016 at 1:26 PM, Barnaby Marsh <mailto: ><=span> wrote: I want t= try!!! I was thinking Mozart symphonies nos 38, 40, 41, though the first =ovements of 38 and 40 might not work in tandem- or do they? I want to try!=! On ferry from Nantucket right now in NYC tomorrow... On Sun, Jul 10, 2016 at 8:45 AM jeffrey E. <=a href="mailto:jeevacation@gmail.com" target="_blank">jeevacation@gmai=.com> wrote: today I conducted an experiment encouraged by Noam's =wholly justified aggressive and detailed directives to joscha= . joshcha focused on layers being develope= in the brain . the timing for the development of each layer b=ing different per species . I postulate that music might =e a frosted window into that structure. symp=onies begin with their first " layer " a theme. in f=ct , there might be more than one theme in the first layer , = the second part of symphonic form is the complex development =tage. where those themes are inverted, deconstruct=d , reconstructed etc ,and the development stage takes the mostil>=A0 time . in the conclusion of the symphonic form=C2* the recapitulation of all that has come before it forms a &quo=; phenenoma of the piece " a whole ,made up =f its smaller concepts . As opposed to listening to musi= to record which neuron is firing, as most musciolgists=attempt . I propose that the music may be the audible result =f those neurons firing, made possible by a select few who would atte=pt to notate those neuronal firings. Beethoven*=A0 for example. The experiment . I mashed =11 of the four symphonies together , playing reco=dings of the 3rd 5th 6th 7th all overlayed</=pan> on each other, playing at the same time. - the way a brai= might develop. I EFTA_R1_01562734 EFTA02458389 expected an ordered noise but to the surpris=ng contrary , IT WAS AMAZING. . =you can hear new "concepts " forming, 40=A0 it wonder whether in the mind of a blin= child , the " music" would be created even without =he visual referencial. but created none the less. =C20 later when the visual can be tied to concepts , the anat=my may be hijacked to produce sounds . that somehow relate to the co=cepts. . I tried to mix music from differen= cultures- it didn't work. African does not work wit= western europe,- chinese works with neith=r of the other two. but within the same cultural music (=the brain of the local species ) the mash ups are beauti=ul. I would no=e that computers engage in "parallel processing" only in o=der to take a hard problem and break it into its component parts , w=rking on each component separately, here each problem =nteracts and the their resolutions interact in remarkable ways. =/div> =C20 please note The informat=on contained in this communication is confidential, may be attorney-cli=nt privileged, may constitute inside information, and is intended only =or the use of the addressee. It is the property of JEE<=r>Unauthorized use, disclosure or copying of this communication or any =art thereof is strictly prohibited and may be unlawful. If you have rec=ived this communication in error, please notify us immediately by re=urn e-mail or by e-mail to jeevacation@gmail.com <mailto:jeevacation@gmail.com> , and destroy this com=unication and all copies thereof, including all attachments. copyright =all rights reserved =C24, please note The information contained in this communication is confidential, may be attorney-client pr=vileged, may constitute inside information, and is intended only for JEE Unauthorized use= disclosure or copying of this communication or any part thereof is str=ctly prohibited and may be unlawful. If you have received this commu=ication in error, please notify us immediately by return e-mail or by e=mail to jeevaca=ion@gmail.com <mailto:jeevacation@gmail.com> , and 2 EFTA_M_01562735 EFTA02458390 destroy this communication and all copies thereo=, including all attachments. copyright -all rights reserved </=iv> 4>=A0 please note The information contained i= this communication is confidential, may be attorney-client privileged,=may constitute inside information, and is intended only for the use =f the addressee. It is the property of JEE Unauthorized use, disclos=re or copying of this communication or any part thereof is strictly pro=ibited and may be unlawful. If you have received this communication =n error, please notify us immediately by return e-mail or by e-mail to =a href="mailto:jeevacation@gmail.com" target="_blank">jeevacation@gmai=.com, and destroy this communication and all copies thereof, inc=uding all attachments. copyright -all rights reserved 3 EFTA_M_01562736 EFTA02458391