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Chapter Six:
Warez Dudes
In which the Seventh Sense reveals a secret, dangerous architecture of connection.
1.
It was my second overseas trip. I blinked my eyes as dawn broke over Europe and
seeped inside the airplane. We began our descent into Amsterdam. | changed the
tapes inside my Walkman. Something a bit more upbeat seemed right. Peter Gabriel.
It was 1993. August.
Earlier that spring I’d heard about a plan for a giant summer computer hacking
conference that would be held outside Amsterdam. “Hacking at the End of the
Universe” it was to be called. | can’t recall now where | had picked up news of the
gathering, but it appealed to me immediately. I’d just moved to New York and had
been dipping into the city’s hacking scene. The “scene” was less a boiling, hip hive of
action than a group of computer amateurs, curious hangers on and early IT system
engineers who would gather in the grubby basement of the Citicorp Building on 53"
Street and Lexington some days after work to discuss various techniques for
tricking digital systems of all types. Hacking didn't have a deeply nefarious
connotation in those days; it was seen by most of us as a natural, even a healthy
extension of an interest in computers. The Internet had about 10 million users at the
time. The idea that, two decades later, it would connect more than three billion
people or that it would put millions of dollars into the pockets of some of the people
gathering in that basement was honestly unthinkable.
The bible of the group was a thin, irregularly stapled, photocopied magazine
published out on Long Island by a guy who used the nom-de-hack of Emmanuel
Goldstein, the hero of George Orwell's novel 1984. The magazine was called “2600:
The Hacker Quarterly” and it offered a compilation of ideas about how to fool
around with systems of all sorts, from Atari gaming consoles to door locks. The
name “2600” came from one of the earliest hacks any of us at those little meetings
knew about, a famous 1970’s trick that involved using an audio tone at exactly 2600
hertz (about the pitch of a truck’s backup warning) to force the backbone routing
switches of the AT&T phone system to give up access to an “operator mode” which
would let the phone hacker - they were called phreakers - make any sort of call for
free. The hack didn’t really offer much practical pleasure except a chance to make
free phone calls anywhere in the world. Once you'd mastered the trick you pretty
quickly discovered there wasn't really anyone in Bombay you wanted to call
anyhow.
The real appeal, the deeper joy of the game, was different: It was the sense of secret,
ecstatic access. A feeling of control in the largest network on earth. At one pointa
phreaker named John Draper figured out that the little plastic whistles stuffed as
children’s toys inside boxes of sugary Cap’n Crunch cereal produced the 2600 Hz
tone nearly perfectly. The hack made him a legend. He became known, inevitably, as
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