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James PATTERSON “where, exactly?” a producer asks. ies. “He said that a very “He didn't say, exactly,” an intern repl rich man was involved.” “Who?” “Didn't say.” “Did he leave a call-back number?” “No. The kid sounded really young. F old.” The producer thi his dog-eared notepad. “Okay,” he says. “I'm not sure what we can the moment.” At some po ourteen, fifteen years nks for a moment, makes a few scratches in do with that for - int, some enterprising journalist will put enough pieces together to get a sense of the picture. Sooner OF later, someone will talk. Maybe a parent. Maybe a cop's girlfriend gets giddy at lunch. The girlfriend’s girlfriend mentions it to her hus- band, who says something to a golfing buddy in turn. Maybe the golfing buddy knows a reporter. Or maybe some lawyer goes off the rez, blitzed off those mar- erve at the Palm Beach Grill. Ik. At that point, Chief Reit- ith Epstein on one side, from all sides. tinis they s Sooner or later, there's always ta er’s job will get much, much harder—w the press on the other, and the chief taking flak But right now, two months into Reiter’s investigation, the press is still speaking in whispets. Right now, Reiter wants to keep it that way- And, in the meantime, new pieces of the puzzle keep falling into place. On September 11, 4 over by the police.’ The patrol officer | vehicle. But Alison she’s cocky and c: from the dime bag remarkable story 2 ties with high sch« says. She’s been gi was sixteen. At first the cop gation into Jeffrey burnout. But back La been bullshitting |! a The investigati Alison’s name z that have been pul a misdemeanor, st Chief Reiter’s colle Jeffrey Epstein. The story Alisc a4 Like Mary, shr __ tells cops that Ep: 4 although, she sus ___ Recarey takes 4 (@anscribed from _ Police), D stands victim.” * Alison’s name, som a 5a HOUSE_OVERSIGHT_019152