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agent and Jean Pigozzi as an international banker. Lunch is called at 4 p.m. and Michael Douglas takes seven heavily made-up and bejeweled women including Susan, Jill and me to a restaurant around the corner. Gordon Gekko hosts a hen party talking about children, schools, country houses and vacations. Back on the set Oliver is shooting the actual dinner. Assistant directors ask for volunteers to dance to the live music. Prince Dimitri twirls and dips Jackie Weld. Kelly Klein, in her own Karl Lagerfeld sheer black organza, watches from a table with scattered champagne glasses half-filled with apple juice along with her 86-year-old father, Tulley Rector. Charlie Sheen leaves for LA and Shia is very annoyed he was not introduced to his hero. Carrie Mulligan, costumed like Audrey Hepburn, chats with us between takes. The final set up is a long tracking shot of Josh Brolin and his wife as they triumphantly enter the ball. It is close to 9 p.m. and Lord William Astor arrives to pick me up for Amalia Dayan and Adam Lindemann's dinner for artists uptown. Oliver is introduced to William and delights in calling him Lord as he immediately moves him into the top of the shot and instructs him to tell Eli Wallach, "We must do lunch". Ever the proper English gentleman, William advises Oliver that Lords do not use American slang and improvises his own lines. The tracking shot continues for numerous takes following Josh and Noelle as every VIP extra gets another shot at instant stardom with one-line greetings. At last, “It’s a wrap” is screamed after 10 p.m. Prince Dimitri tells The Wall Street Journal it was, "a day of electrifying glamour," and “the longest gala of my life. I was in black tie for thirteen hours." November 25, Tommy Gun Salon, Ludlow Street, last day of shooting Donald Trump is on set at 7 a.m. ready for his close up. He is trying to make a mid-day departure on his jet from Teterboro with wife Melania and son Baron for Thanksgiving weekend in Palm Beach. Back in September, Oliver had invited Donald Trump to dinner at "21" to meet his leading men Josh and Shia so they could observe New York's most charismatic powerbroker in his natural environment. The scene is London so the grey skies are perfect. Gekko has moved abroad to make his financial comeback. The scene opens on the back of his head in a barber's chair as he watches the financial news on TV. The camera pulls back and Gordon Gekko is finally revealed as the powerful bull he once was in an exquisite suit and signature slicked-back hair. Donald Trump walks into the shop for a cut and the banter begins about the money market. From his chair, Donald leans into Michael and suggests a "comb over" like his famous do. Gekko, with a slight grin, says, "No thanks Donald, I am a gel man." The crew is yucking it up and Donald feels great. Paparazzi shoot the whole scene with long lenses from across the street. The unit publicist is helpless to keep this under wraps. Donald emerges, poses and gives interviews. Michael comes out, and the press think they have a scoop on the ending. Gekko is back in all his lovable titan splendor. Full-page photos of Michael and Donald run the next day in the tabloids. Never underestimate Oliver Stone’s surprise endings. Twentieth Century Fox releases "Wall Street 2: The Money Never Sleeps" on April 23rd and it's got hit written all over it. Bis Bis Bhs fs als Bhs hs 2s 24s 2fS 2s 2s IS fe 2 is fe 2 is fe 2s fs Bis ahs 2fs 28s ahs 2s OAs OIE 2g 2fs OIE fe 2g Bis fe 2 fs is fe fs 28s fs 2s 2fe ahs 2s 2s IS 2k 2k OIE fe 2k 2s 2c 2c afk The information contained in this communication is confidential, may be attorney-client privileged, may constitute inside information, and is intended only for the use of the addressee. It is the property of HOUSE_OVERSIGHT_021245