EFTA00299075.pdf
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THEATRE FOR A NEW AUDIENCE 154 CHRISTOPHER STREET WITS 3O NEW YORK NY 1OO14 1:
October 8, 2012
Mr. Jeffrey Epstein
9 East 71st Street
New York, NY 06840
Dear Mr. Epstein,
I am writing at the suggestion of Julie Taymor. I understand Julie spoke with you at the recent
WWW Conference about Theatre for a New Audience's Capital Campaign to build the first theatre
for classic drama since the 1965 Vivian Beaumont in downtown Brooklyn. Julie explained that you
kindly invited us to send you information about this project. Please find this enclosed.
Let me give you some background. Julie is on our Board and is the Honorary Co-Chair of the
Campaign. Founded in 1979, Theatre for a New Audience's cornerstone is Shakespeare and we
produce Shakespeare alongside other classical and contemporary authors. We're the first
American theatre to be invited to bring a production of Shakespeare to the Royal Shakespeare
Company. We've won multiple awards; supported the development of some of our finest artists
such as Julie who first staged THE TEMPEST and TITUS ANDRONICUS with us. We created and run
the largest program in the New York City Public Schools to introduce Shakespeare and classic
drama. Our name refers to how theatre has evolved. The old audience was primarily one
homogenous group. The new audience is comprised of all ages, cultural and economic back
grounds.
Since our founding 33 years ago, we've never had a permanent home. We've always been
itinerant and dependent on rented spaces which are fast becoming unavailable. In 2000, the City
invited us to build adjacent to MM in the Downtown Brooklyn Cultural District -- the first major
cultural district in New York City since Lincoln Center. Our neighbors will be BAM and Mark
Morris Dance Center. 650,000 people annually attend BAM alone. Every subway line and the
LIRR are within a 5-10 minute walk. The New Barclay's Sports and Entertainment Center is a few
blocks away.
Our theatre is designed by the eminent architect Hugh Hardy who also designed the interiors of
Radio City Music Hall and the New Amsterdam. Our design is inspired by the Cottesloe at
London's Royal National Theatre. It will be unlike any other New York theatre. It is uniquely
flexible and works for both classic and contemporary plays. The relationship between the stage
and the audience can be arranged In almost any configuration. The stage is trapped; the building
is suspended on acoustic pads to ensure it will be one of the quietest theatres in the City. It has
seating capacities of 299, 99 and 50.
Our capital budget is $68.5 million. Despite the economic turmoil of the past decade, we raised
$52.7 million and broke ground June, 2011. There is nearly $16 million left to raise for essentials
such as theatrical equipment. Our building is not yet named and is available for a gift in the range
of $10 to $16 million. It would be a wonderful opportunity for the right individual. Our facility In
this new cultural district is a thrilling moment in the development of New York theatre and
WWW.IfANA.ORG
EFTA00299075
Brooklyn, which GQ just declared the "coolest city on the planet." Julie is directing the inaugural
production which opens November 3, 2013.
I very much appreciate your time in reviewing the enclosed materials and hope to be able to
talk. I also wanted to share that a profile on Theatre for a New Audience made for NYC Arts was
broadcast July 5 on PBS, and Julie is in this. A DVD is enclosed with the materials. I will take the
liberty of calling to see If we can arrange a time to speak, or please feel free to call me at
Thank you and best,
(
JeffreyForowitz
Founding Artistic Director
EFTA00299076
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| Filename | EFTA00299075.pdf |
| File Size | 207.9 KB |
| OCR Confidence | 85.0% |
| Has Readable Text | Yes |
| Text Length | 3,712 characters |
| Indexed | 2026-02-11T13:24:26.693880 |