EFTA00300304.pdf
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JEFFREY EPSTEIN
9 East 7f' Street
New York, New York 10021
May 28, 2018
Chairperson Meenakshi Srinivasan
NYC Landmarks Preservation Commission
David N. Dinkins Municipal Building
1 Centre Street, 9th Floor
New York, NY 10007
Re:
Frick Collection Proposed Expansion
Dear Chairperson Srinivasan,
I own the townhouse building located at 9 East 71n Street. I write to express my vigorous
opposition to the Frick Collection's current application, which seeks to gratuitously and
unnecessarily expand the size and scope of the existing appropriately-scaled complex of
buildings. The proposed expansion, and the resulting new behemoth complex of mis-matched
structures, is not at all consistent with the scale, style, character and historical integrity of the
Frick Collection's existing mansion, gardens, grounds and other structures. The Landmarks
Preservation Commission very mission and existence is to ensure that such a travesty never takes
place within any of the City's many historically designated areas, much less in one of New York
City's most unique, prized and cherished institutions and architectural treasures as the Frick
Collection.
From its inception in the mid-1930's, the Frick Collection has always been conceived of as an
intimate "House Museum" for the display of the Frick family's personal art collection in its
original historical home setting. The original mansion and the associated "library" building have
co-existed with their carefully-designed historical and architectural integrity intact since that
time. Together with the Russell Page "viewing" Garden (added in the 1970's), this intimate
complex of buildings, grounds and other architectural features have existed in elegant harmony
and have been preserved and protected by prior LPC administrations. It now falls to this LPC
Commission to ensure that the Frick Collection's historical integrity is not irreparably marred,
destroyed and/or lost forever as a result of the current proposal.
The application should be rejected by the Commission for at least the following reasons:
•
The Landmarks Committee (the "Landmarks Committee") of the New York City
Community Board 8 (the "Community Board") has recommended disapproval for
multiple reasons. They include:
o The Frick Collection application provided hardly and details, such as
actual proposed dimensions, site line studies and mock-ups of the
proposed enlargements and instead consisted only of glossy drawings and
carefully tailored "PR" pieces largely camouflaging the many legitimate
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questions about the appropriateness of and necessity for the proposed
expansions. Without such information, it is virtually impossible to
meaningfully understand the true extent to which the proposed expansion
will conform to the historical integrity of the landmarked properties;
o The Frick Collection's programmatic needs (allegedly the need for
additional gallery space and educational spaces) could be met through
other alternatives that either involve no alteration to the landmarked
buildings or substantially less dramatic alterations;
o The proposed additions "are too large and not in scale with the landmark
mansion or the Russell Page designed garden;"
o The Russell Page Garden will not be fully preserved. Notably, the
planting of trees across the north wall of the garden (an integral
component of Page's original design which not only shields the gardens
from the structures behind it to the north, but also provides critical depth
and color) is proposed to be eliminated. Additionally, the niches and
trellises in the north wall are proposed to be replaced with windows. The
entire look and feel of the garden will be irreparably changed, for no good
reason.
o While the existing one-story structure connecting the historical mansion to
the more institutional library behind it to the east "does not detract from
the mansion, the [proposed] two-story addition over the Music Room is
very visible and extends the more institutional scale and character of the
library into the sector of the mansion;
o The proposed additions also "change[] the scale of the pavilion, and
eliminate[] the high copper roof with its fan-like termination that was
more in the family of the mansions roofs than the proposed shallow copper
roof"; and
o "The expansion of the mansion from the exterior is of a large house,
[whereas] the proposed enlargements will change the character of the
mansion and detract from the experience of the Frick Collection as a
House Museum;" and
•
Identifying precisely the same issues as those cited by the Landmark Committee,
the full Community Board was similarly unable to pass a resolution
recommending approval.
•
To my knowledge, the applicant has done nothing since mid-May (when the
Landmarks Committee and the full Community Board took their actions) to
address the concerns identified by those advisory bodies. The LPC should
therefore reach the same conclusions.
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•
The Historic Districts Council has expressed similar concern over the proposed
changes to the Russel Page Garden in its Testimony for LPC Hearing on May 29,
2018.
•
The Frick Collection's proffered reasons for its massive expansion — the supposed
need for additional gallery space and educational space — is very likely pretextual.
In reality, the Frick Collection is looking to transform what has been historically
preserved as an intimate "House Museum" into a massive commercial museum.
Evidence of this intention can be seen in the proposal to include a professional
food-preparation kitchen and café as well as the inclusion of a 220-seat
auditorium. There is every reason to fear that the Frick Collection has intentions
to host large-scale galas and events in the newly expanded space after museum
hours. Not only would that materially change the character of this institution, it
would also carry with it the attendant changes to the surrounding community with
increased noise, congestion and nuisance.
•
Even assuming the Frick Collection's claimed need for new gallery and
educational space were sincere, there are existing alternatives to accomplish those
goals without modifying the landmarked buildings. The second floor of the
original mansion could be repurposed for gallery space by simply relocating the
office and administrative functions to another off-site location, as is customarily
done with museums. In fact, the building at 1 1 East 70th Street is currently vacant
and on the market. It is tailor-made for this purpose. Similarly, additional space
could be opened through below-grade excavation, without the need to alter and
destroy the existing historically landmarked elements which make the Frick
Collection what it is today.
•
These (and other) alternative proposals have been clearly outlined in a design
alternative put forward by Unite to Save the Frick, which worked with award-
winning architect David Helpern. The LPC should challenge the Frick Collection
to explain why its alleged programmatic objectives cannot be achieved without
such massive and irreparable alterations to historically landmarked buildings.
•
The proposed construction of a nearly 80-foot structure above the Music Room
will materially destroy the view and obscure the light source for those viewing the
property from 71st Street looking southward (and those from 70th street looking
northward). Making matters worse, the new structure will clash architecturally
with the original historic mansion to the west and the original institutional design
of the Library to the east, with a resulting amalgamation that is as offensive to
view as it is inconsistent with the scale and design of the historical landmarked
complex.
•
There has not been sufficient time, nor sufficiently detailed information from the
applicant, for members of the public or members of the LPC to meaningfully
evaluate the application. In fact, there has been hardly any meaningful
community outreach. Instead, and alarmingly, the Frick Collection has proceeded
with deliberate opacity in an attempt to steamroll its current proposal before
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impacted members of the public can fully understand all of the details of the
proposal and provide meaningful input to the LPC to assist it to make a fully
informed and reasoned decision.
•
The application was not filed until April 24, 2018, and yet less than a month later
the application is scheduled for a public hearing on May 29, 2018. That is simply
insufficient time for anyone (the LPC or the affected public alike) to rationally
and deliberately vet the proposal. One must ask: what is the rush?
For all of these reasons, I believe that the LPC cannot possibly act on the Frick Collection's
application at this time. It should, instead, demand that the applicant first fully respond to the
concerns outlined in this letter and all other concerns raised at the May 29, 2018 public hearing.
Until it does so, and until the affected public has the full opportunity to receive and react to the
previously un-provided details, the public hearing should be "held open" and rescheduled for one
or more future public hearings at which time these (and possibly other) issues can be intelligently
vetted in a deliberative and transparent manner. That will ensure the LPC's ability to make a
truly informed and sound decision while also ensuring that the public can have faith in a fair,
transparent and interactive process.
Sincerely,
Jeffrey Epstein
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| Filename | EFTA00300304.pdf |
| File Size | 270.5 KB |
| OCR Confidence | 85.0% |
| Has Readable Text | Yes |
| Text Length | 9,605 characters |
| Indexed | 2026-02-11T13:24:36.328620 |