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Harvard College
Spring Term, 2007-2008 Academic Year
January 30 — May 2, 2008
Study Card Day: Feb. 6, 2008
Mind/Brain/Behavior 98: Music & The Brain
Wednesdays 6:30 — 9:30 PM
William James Hall, 13th Floor, Room 1305
No Sections
Syllabus
Updated Jan. 30, 2008
Fatal*
Mark Jude Tramo, MD, PhD
Director, The Institute for Music & Brain Science
Department of Neurology, Harvard Medical School & Massachusetts General Hospital
Steering Committee, Harvard University Mind/Brain/Behavior Interfaculty Initiative
Board of Honors Tutors, Department of Psychology, Harvard University
Teaching Affiliate, Department of Biology, Harvard University
Research Affiliate, Research Laboratory of Electomics, M.I.T.
Songwriter Member, ASCAP
www.BrainMusic.org
Office hours by appointment, The Institute for Music & Brain Science, 175 Cambridge St, Suite 340, Room 382, Boston
Course Description
MSS 98: Music erne Brain, now in its 12th year in the FAS courses of instruction (formerly
Psychology 9876), takes a multidisciplinary approach to understanding neural
systems governing music perception, performance, and cognition. Students are
expected to master selected topics in acoustics, music, psychophysics, cognitive
psychology, neurophysiology, neuroanatomy, and neurology. The course begins with a series
of lectures by Professor Tramo that provides a common fund of knowledge in functional
neuroanatomy, auditory neurophysiology, psychoacoustics, cognitive psychology, and music
for students with diverse backgrounds. Thereafter, individual seminars focus on specific
themes, such as pitch perception, harmony perception, emotion and meaning in music, and
talent and creativity. Seminars are deigned to help students: 1) cultivate analytical skills
through critical appraisals of "primary-source" experimental literature published in peer-
reviewed science, medical, music, and education journals; and 2) develop oral presentation
skills in a supervised setting. Semi-weekly reading and homework problem sets from the
required text, Rossing's Science of Sound, solidify working knowledge of basic concepts (e.g.,
resonance, decibels, scales) needed for the advanced readings that are the springboard for
each seminar's provocative discussions of neuroscientific data collection and analysis
EFTA00306316
Professor Tramo
Syllabus for MBB 98: Music & The Brain, Spring 2008
methods, results, interpretation, and corroboration.
Prerequisites
Secondary school mathematics and physics. No music background necessary. If you are not
familiar with the vocabulary of music, get the Harvard Dictionary of Music, which is listed
below under Recommended Books and is available at the Coop.
Books (available at Harvard Coop unless otherwise noted)
Required
The Science ofSound, Rossing, Moore, and Wheeler, 2001
Recommended
Core *xi of Isleuroanatoug Malcolm Carpenter (any edition) — available at Amazon
The Harvard Dictionary of Mask: Fourth Edition, D.M. Randel (Editor), 2003
The Aridity Cortex, L.A. Alain, 2003
Introduction to the Poichology of Hearing, 5th Edition, Brian Moore, 2003
The Pgchology of Music, 2nd Edition, Diana Deutsch (Editor), 1999
Music, Language, and the Brain, Aniruddh D. Patel, 2007
Requirements & Grading
• Weekly attendance and participation in seminar discussions that reflects you have read
the assigned journal papers (20-25%)
• Performance on homework problem sets (3540%)
• Oral presentations of papers using overheads or powerpoint at 1-3 seminars (35-40%;
first presentation is not graded to allow for practice and feedback)
• No exams, no term papers
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Syllabus for MBB 98: Music & The Brain, Spring 2008
Lecture & Seminar Schedule
Jan. 30: Lecture
Introduction
Brain Organization & Behavior
Musical Phonology
Feb. 6: Lecture
Experimental Methods
The Auditory Nervous System
Feb. 13: Seminar
Pitch I
Feb. 20: Seminar
Pitch II
Feb. 27: Seminar
Harmony I
March 6: Seminar
Harmony II
March 12: Seminar
Melody
March 19: Seminar
Rhythm
lamb 26: Spiv Rears
April 2: Seminar
Timbre & Voice
April 9: Seminar
Speech & Prosody
April 16: Seminar
Emotion & Meaning
April 23: Seminar
Evolution, Development & Plasticity
April 30: Seminar
Intelligence, Talent & Creativity
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